Everything that has a beginning has an end

Posts tagged “Lewis Bond

The Cyclical Mysteries of the Unknown

“Cinema is the human dream, a way to understand how our trauma fits into this existential jigsaw. Perhaps the greatest way to wield cinema is as a synthesis to use stories of high personal drama to present them as a reflection of the issues that pervade all of humanity – a fusion of the personal with the universal. This is the
perfect encapsulation of the cinema of Denis Villeneuve.”

“[His] camera usage makes subjects seem inconsequential one way or another with the visual language putting them in a state of seclusion. The purpose is to show that through isolation comes helplessness and this is exactly the same notion that comes with mystery, being in the unknown. The visuals are an extension of the idea of what it is to be dwarfed by an engulfing force.”

“Why does [he] want to employ mystery in all of his movies? Because in the work of Denis Villeneuve we’re shown the fragility of the human mind when we lose sight of what we know because of our obsession for seeking the truth.”

“Villeneuve is able to exploit the drama of scenes through when and how he reveals information. We may return to a scene and see it from multiple perspectives only to realize that when we thought we had the answer, we were in fact solving the wrong mystery the whole time. We become just like [the] characters who too are looking for answers unaware that they’re not asking the right questions. Our judgment becomes clouded as soon as we become emotionally invested and Villeneuve presents us with a world that appears clear on its surface yet we soon learn our vision was always hindered by our own biases.”

“There’s a cyclical nature in the films of Denis Villeneuve. The answers to a character’s questions are often revealed to us right at the beginning of a story. Only at the end of the journey do we realize that we’ve come full-circle but its only by entering the unknown the our true selves fully emerge.”

                                                 – Lewis Bond


David Lynch – A glimpse into the uncanny

Lewis Bond’s video essay on David Lynch may offer some insight into this work, especially timely with the return of Twin Peaks to television.

“I believe in an unspoken ceremony that occurs when we watch movies. If an audience is to truly offer themselves to cinema, an acknowledgment must be made on
behalf of the observer to momentarily
sacrifice their psychological and emotional bonds so that they be manipulated and molded by the artist. The viewer must then accept that as art is incapable of capturing one’s own
subjective experience, it can never
fulfill all the questions of the individual. Art’s preoccupation with
secrecy can feast on the deepest parts
of you but its mysteries can also
energize something profound within.  I suppose cinema’s true affliction as well as its triumph is that its answers are often destined to remain unknown and nowhere is this more truthful than in the work of David Lynch.”

 “Lynch submits a series of breaches to what we accept is our reality in the hope that we recognize that what we perceive is only a fraction of what we see and it’s exactly why Lynch intentionally misguides our perceptions through offering plots that embrace a subconscious manner of storytelling. Our expectations so often go unfulfilled in his movies because he shows that we expect so much from life yet know so little.”

                                                   – Lewis Bond