Two years ago, for the very first time, Thich Nhat Hanh’s monastics invited filmmakers Max Pugh and Marc J. Francis into their monasteries to witness their practice and the essence of their mindful living.
Filming in the depths of winter in their monastery in France, they also traveled on the road with Thich Nhat Hanh and his monastics to Europe and North America; capturing their journey from Vancouver to Mississippi, New York, Washington, San Diego and London.
Through intimate interviews and observational filming, “Walk With Me – On The Road With Thich Nhat Hanh”, offers a rare insight into monastic life and the deeply personal reasons why Thich Nhat Hanh’s monks and nuns decided to leave their families and follow in his footsteps.
Honest and heart-warming, ‘Walk With Me’ touches on the universal themes of belonging, love, loss, hope and death; relevant for not just Thich Nhat Hanh’s monks and nuns but for us all.
This documentary is currently being shown at the Toronto International Film Festival. If distributors are found it should be released sometime in 2017.
“Most of us don’t want to change
I mean why should we
What we do want is sort of modifications on the original model
We keep on being ourselves
But hopefully better versions of ourselves
But what happens when an event occurs that is so catastrophic
That you just change
Change from the known person to the unknown person
So that when you look at yourself in the mirror you recognize the person that you were
But the person inside the skin is a different person”
For his new film master director Patricio Guzmán, famed for his political documentaries (THE BATTLE OF CHILE, THE PINOCHET CASE), travels 10,000 feet above sea level to the driest place on earth, the Atacama Desert, where atop the mountains astronomers from all over the world gather to observe the stars. The sky is so translucent that it allows them to see right to the boundaries of the universe.
The Atacama is also a place where the harsh heat of the sun keeps human remains intact: those of Pre-Columbian mummies; 19th century explorers and miners; and the remains of political prisoners, “disappeared” by the Chilean army after the military coup of September, 1973.
So while astronomers examine the most distant and oldest galaxies, at the foot of the mountains, women, surviving relatives of the disappeared whose bodies were dumped here, search, even after twenty-five years, for the remains of their loved ones, to reclaim their families’ histories.
Melding the celestial quest of the astronomers and the earthly one of the women, NOSTALGIA FOR THE LIGHT is a gorgeous, moving, and deeply personal odyssey.
“NOSTALGIA FOR THE LIGHT is not only Guzmán’s masterpiece; it is one of the most beautiful cinematographic efforts we have seen for a long time. Its complex canvas is woven with the greatest simplicity. For forty years, Patricio Guzman has had to struggle every inch of the way, with a vivid memory and intimate suffering to reach this work of cosmic serenity, of luminous intelligence, with a sensitivity that could melt stone. At such a level, the film becomes more than a film. An insane accolade to mankind, a stellar song for the dead, a life lesson. Silence and respect.” —Jacques Mandelbaum, Le Monde
“Stunningly beautiful. I don’t know how you can put more into a film, or make one that’s more deeply moving.” —Stuart Klawans, The Nation
“An extraordinary film about the unknown and the unknowable.” —Sight & Sound Magazine
“An amazing film! Nostalgia for the Light gave me goosebumps so many times I lost count.” —Andy “Copernicus” Howell, Ain’t It Cool News
“Deeply Affecting!” Critics Pick —New York Magazine
“Such a moving masterpiece… NOSTALGIA FOR THE LIGHT is Guzmán’s leap into a different sort of cinema: a philosophical treatise that is as stunning to the eye as it is disturbing to the brain… I was enthralled. So was the audience around me.” —B. Ruby Rich, SF360
★★★★ “NOSTALGIA FOR THE LIGHT may just be the most profound movie I have ever seen.” —Peter Howell, Toronto Star
★★★★ “The ideas in NOSTALGIA FOR THE LIGHT are nearly as big as the Big Bang, but Guzmán’s wise and lovely film maintains a careful balance between matters both macro and micro.” —Jason Anderson, Eye Weekly
“The film is gorgeous, purposefully slow, almost a meditation. Guzmán tells us life in the Atacama Desert is an eternal book of memories. And he lingers on every page, capturing shots of constellations with the care of a master photographer. Imagine Ansel Adams, working in colour, let loose in the Milky Way.” —Stephen Cole, The Globe and Mail
★★★1/2 “Combining politics and science in a stirring visual essay… Highly Recommended” —Video Librarian
Winner, Award of Merit in Film, 2012 Latin American Studies Association (LASA) Official Selection, 2012 Western Psychological Association Film Festival Winner, Best Film, 2011 International Documentary Association (IDA) Winner Best Documentary, Prix ARTE, 2010 European Film Academy Awards Winner Best Documentary, 2010 Abu Dhabi Film Festival Official Selection, 2010 Cannes Film Festival Official Selection, 2010 Toronto International Film Festival Official Selection, 2011 San Francisco International Film Festival Official Selection, 2011 Miami International Film Festival Official Selection, 2010 Melbourne International Film Festival