Please read Tanja Stark’s fascinating research into David Bowie’s emergence as a Jungian visionary artist.
“Jungian concepts are so inextricably woven throughout Bowie’s multi-decadal tableau of creativity that in Bowie’s synthesis of mythopoeic themes of the Unconscious with the zeitgeist of pop culture, together with his palpable struggle for meaning, catharsis and knowledge, Bowie has become a poignant contemporary representation of Jung’s ‘visionary artist’, potentially illuminating his deep resonance in popular cultural consciousness.”
A presentation by Craig Chalquist entitled – Conscious Apocalypse, Outliving Our Ruling Institutions.
Dr Chalquist explores what it means to live in the archetype of the apocalypse and how to do so with what he calls more consciousness.
He reviews the current collapse of governmental, religious and financial institutions along with the catastrophic disruption of the cycles of the natural world; the experiences of apocalyptic events in past history, the unique phases that historically emerge, and the reasons why they occur. All of which now leads to a systemic breakdown of all structures at all levels and the choice to then find a way to re-align with the new post-apocalyptic time and place or the choice to die with the old way that has passed.
Dr Chalquist then touches on the images of renewal, the images and stories of a new mythology, what it means to let go of old institutions, and how to embrace the voices of the disenfranchised who were excluded from the vanishing culture.
If we can make it to that phase, then, as he quotes from Linda Buzzell, “The redesign of every sector of society to be compatible with the rest of nature and nature’s laws is the Great Work of our era.”
Chalquist ends his presentation with a quote from Jung’s Red Book, from Philemon’s Prophecy
“The earth became green and fruitful again from the blood of the sacrifice, flowers sprouted, the waves crashed into the sand, a silver cloud lies at the foot of the mountain…The stones speak and the grass whispers.”
(H/T Carolyn Baker)