Art by Matt Melanson
There is a new podcast in town, Weird Studies, hosted by Phil Ford and J.F. Martel –
As they describe it,
“Weird Studies” is a scholarly field that doesn’t and can’t exist.
The Weird is that which resists any settled explanation or frame of reference. It is the bulging file labelled “other/misc.” in our mental filing cabinet, full of supernatural entities, magical synchronicities, and occult rites. But it also appears when a work of art breaks in on our habits of perception and ordinary things become uncanny. The Weird is easiest to define as whatever lies on the further side of a line between what we can easily accept from our world and what we cannot. And it defines an attitude towards whatever lies on that side of the line: a willingness to remain suspended between explanations and abide in strangeness.”
In this episode the two connect the dots and discuss those connections and surrounding pathways into the origin of contemporary existential fear and how it manifests in recent works such as David Lynch and Mark Frosts’ ‘Twin Peaks – The Return’.
Along the way their map include signposts from Philip K. Dick, Norman Mailer, Stanley Kubrick, Carl Jung, William Burroughs, Guy Debord, H.P. Lovecraft and many others.
A fascinating and thought provoking look into the abyss, to synchronous expressions of art, and the implications for modern life as we live under the shadow of the mushroom cloud.
The following is an excerpt from an article by Martin Winiecki
In the 1990s an unusual encounter took place in the Ecuadorian Amazon. In plant rituals, shamans of the Achuar, a tribe living in pristine forest that had never been in touch with Western civilization, received the warning that the “white man” would try to invade their lands, cut down the forest and exploit the resources. Deeply shaken, they called out to the Spirits for help. Soon after white people did approach them, coming to them however with supportive intentions – a group of activists from the United States, searching for ways to protect Indigenous Peoples from the oil industry. The Westerners found a deeply interconnected tribal society living in profound symbiosis with the Earth. Seeing the bulldozers coming closer and closer, they asked the Elders of the tribe how they could survive. Their answer was surprising and straightforward: “Don’t try to help us here. Go back to your own culture and change the dream of the modern world! It is because of this dream that we are perishing.”
Read the rest of his post here.
In the video above, Chris Hedges and Tim DeChristopher discuss the deadly failure of the industrial world to confront the effects of climate change. The following is a brief excerpt from that conversation.
HEDGES: Let’s talk about grief. I feel it. I read the climate change reports, I have children. It fills me with despair. How do we cope with it?
DECHRISTOPHER: I think part of the way that we cope with it is admitting that we were always headed towards that path. That we were always going to die.
HEDGES: As a species?
DECHRISTOPHER: Well and as individuals as well. You know we like to have this progressive notion that we do these good things to make a better world at some point in the future and even if consciously it sort of falls short of a utopia or a sort of promised land in the future. It’s still sort of this outcome based value system, that’s based on things being okay in the end.
HEDGES: It’s the myth of progress.
DECHRISTOPHER: Yeah, but I think that’s also tied to a myth of immortality. That when we talk about some of the most honorable things that we can do. We use language like we saved someone’s life. But that person’s still going to die. Every person that we do something nice for is still going to die. So if it’s really outcome oriented then we’ve always been kind of deceiving ourselves with that value system.