Everything that has a beginning has an end

Send in the Owl

“[It’s] too easy to put symbols in service of narrative. The trick is putting narrative in service of symbols.”  –  J.F. Martel in a recent tweet regarding how to watch Twin Peaks

“Artists end up producing symbols, beacons that point to those vast regions of reality which psychoanalysts call the unconscious. In other words, art doesn’t belong to the conscious world. It belongs on the same plane as dreams, visions and synchronicity.”  J.F. Martel

“True works of art are powerful symbolic constructs, genuine oracles that can give society access to what’s going on below the threshold of collective consciousness.”  – JFM

“I learned that just beneath the surface there’s another world, and still different worlds as you dig deeper.”  David Lynch

“It makes me uncomfortable to talk about meanings and things. It’s better not to know so much about what things mean.”  DL

“Because the meaning, it’s a very personal thing, and the meaning for me is different than the meaning for somebody else.”  DL

 “When something’s abstract, the abstractions are hard to put into words unless you’re a poet.”  DL

 “Cinema is a language that can say abstractions. I love stories, but I love stories that hold abstractions–that can hold abstractions. And cinema can say these difficult-to-say-in-words things.”  DL

“I like things that go into hidden, mysterious places, places I want to explore that are very disturbing.”  DL

“In that disturbing thing, there is sometimes tremendous poetry and truth.”  DL

“As Henri Bergson says, if we could perceive reality directly, we wouldn’t need art.”  JFM

“The reason we need art is that the intellect is constantly reducing reality to a conceptual order that accounts only for an infinitely small portion of what is real.”  JFM

“If things get too specific, the dream stops. There are things that happen sometimes that open a door that lets you soar out and feel a bigger thing. Like when the mind gets involved in a mystery. It’s a thrilling feeling. When you talk about things, unless you’re a poet, a big thing becomes smaller.”  DL

I don’t know why people expect art to make sense when they accept the fact that life doesn’t make sense.”  DL

“Symbols are signs, but signs pointing us to the unknown, perhaps unknowable aspects of reality. They call us to the dark expanses that extend infinitely on every side of the small castellated island that is the human world.”  JFM

“Met on its own ground, the work of art as vector of symbols is an inexhaustible producer of meaning. Invariably, the work reveals more than its creator ever intended and more than any interpreter can fathom.” JFM

“True beauty is not pretty. It is a tear in the facade of the everyday, a sudden revelation of the forces seething beneath the surface of things.”  JFM

“The more unknowable the mystery, the more beautiful it is.”  DL

“I love mysteries. To fall into a mystery and its danger … everything becomes so intense in those moments. When most mysteries are solved, I feel tremendously let down.”  DL

“I want things to feel solved up to a point, but there’s got to be a certain percentage left over to keep the dream going. It’s like at the end of Chinatown: The guy says, ‘Forget it, Jake, it’s Chinatown.’ You understand it, but you don’t understand it, and it keeps that mystery alive. That’s the most beautiful thing.”  DL

“When you sleep, you dont control your dream. I like to dive into a dream world that I’ve made, a world I chose and that I have complete control over.”  DL

“I would love to be in that state [of a waking dream] all day long, but you have to have some quiet. The world is getting louder every year, but to sit and dream is a beautiful thing.”  DL

“A lot of people assume I have very strange dreams, but I’ve only had one dream that affected a film. I don’t dream much at night. Most everything is daydreams.”   DL

“I like making films because I like to go into another world. I like to get lost into another world.”   DL

“My movies are film-paintings – moving portraits captured on celluloid. I’ll layer that with sound to create a unique mood — like if the Mona Lisa opened her mouth, and there would be a wind, and she’d turn back and smile. It would be strange and beautiful.”  DL

“In my mind it’s so much fun to have something that has clues and is mysterious – something that is understood intuitively rather than just being spoon fed to you. That’s the beauty of cinema, and it’s hardly ever even tried. These days, most films are pretty easily understood, and so people’s minds stop working.”  DL

 “Through the darkness of future past, the magician longs to see, one chance out between two worlds, fire walk with me.” – Twin Peaks

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4 responses

  1. beautifully helps
    me recognize
    why it takes
    so long
    to understand some art,
    if i get it
    at all 🙂

    Like

    September 24, 2017 at 3:16 am

    • Thank you.
      Indeed. But you are a poet and a photographer. There is already some insight, yes?

      Like

      September 24, 2017 at 11:21 am

      • you’re very kind, elegantmystery!
        at times i think i’m sharing artfully,
        just as, at times i think i understand other’s art.
        but at other times, it’s just a aesthetic mystery 🙂

        Like

        September 24, 2017 at 4:16 pm

      • Yes I can relate to the aesthetic mystery as well. Some things come easier than others. Your work has some definite impact on others based on the response I see each time. It is obviously a labor of love…

        Like

        September 24, 2017 at 7:42 pm

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