Everything that has a beginning has an end

Navigating in the dark

Charlotte du Cann in writing about the most recent and last of its kind Uncivilization festival, touches on ideas that echo inside me, touching something that longs for the same level of purposefulness. I do not want to follow in her footsteps but her story as someone who walked away and found an old/new way to be in this world is like a beacon. She is a way-shower. Her words are like a battle-cry, to those who attended and to those of us excited by the possibility of navigating in the dark. She speaks of writers here but I also take it to mean any creative expression. The following are brief excerpts (Bold emphases mine)

“To navigate the wild world, and to navigate the realms of the imagination means you can’t stay in the tight blinkered form society has trained you to live in. You need to break out and move in all directions in space and time: up into the realm of sky, into the underworld, from the left to the right hemisphere of the brain, back into the past, forward into the future. Writers learn by their art to make these shifts. They know it is not enough to experience phenomena, what you see in the dark has to be brought into the light and articulated, grounded in our everyday lives. That’s the work. It is our function as creative beings to give words to everything we see.”

“Writers bridge time by placing events in a circle, rather than a straight line. That’s when you realise, whatever you are doing now has happened before and it’s time to make your liberating move. Time and transformation are the deep mysteries of the earth, which is why the Empire hates the changing nature of the breathing planet, and all who follow its wild contours. It wants to keep its ancient timeless grip on life.”

Triptych II

“What is the fabric that holds us together and yet does not bind us?
…Mostly it’s a culture at a crossroads, caught in a paradox: because it knows nothing in its reasoning mind, and yet knows everything in its heart and bones and sinews, of how things need to be. Knows that at this point not to give your gift, your words, your song, your presence in the space, feels like a betrayal. A culture that does not disappear into its mind or become mute in the face of everything falling apart, including the story of the person you once were. A culture that puts itself on the line and does not go to sleep, though the lullaby of Empire entices us to forget ourselves at every turn“.

Triptych III

“That’s how a network works. It is invisibly connected through the powerful memory of the heart. Everything we experienced is within us, as we inch our way down the mountain, feeling the unknown territory with our bare feet, the roughness of the stone in our hands, moonbeams spiralling through the trees. That’s what I came to say: a people who see in the dark are a people on their way home.”

“I’m not sure I told you around the fire when I was dancing, when I was running from place to place, when I was standing outside in the rain, watching your faces, sitting beside you at that stream, but I can say it now. Now I’m not rehearsing.”

“The story starts at the end of everything.”

Read the rest of her amazing post here

Triptych I

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5 responses

  1. I listened to an interview with Clarissa Pinkola Estes about “seeing in the dark” yesterday. Very similar to this! There must be something in the air.

    Like

    September 11, 2013 at 11:01 pm

  2. This link is her introduction to her Mother Night series that she recorded with Sounds True, which I have! A reminder for me to revisit and listen again.

    Like

    September 12, 2013 at 1:30 pm

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