For his new film master director Patricio Guzmán, famed for his political documentaries (THE BATTLE OF CHILE, THE PINOCHET CASE), travels 10,000 feet above sea level to the driest place on earth, the Atacama Desert, where atop the mountains astronomers from all over the world gather to observe the stars. The sky is so translucent that it allows them to see right to the boundaries of the universe.
The Atacama is also a place where the harsh heat of the sun keeps human remains intact: those of Pre-Columbian mummies; 19th century explorers and miners; and the remains of political prisoners, “disappeared” by the Chilean army after the military coup of September, 1973.
So while astronomers examine the most distant and oldest galaxies, at the foot of the mountains, women, surviving relatives of the disappeared whose bodies were dumped here, search, even after twenty-five years, for the remains of their loved ones, to reclaim their families’ histories.
Melding the celestial quest of the astronomers and the earthly one of the women, NOSTALGIA FOR THE LIGHT is a gorgeous, moving, and deeply personal odyssey.
“NOSTALGIA FOR THE LIGHT is not only Guzmán’s masterpiece; it is one of the most beautiful cinematographic efforts we have seen for a long time. Its complex canvas is woven with the greatest simplicity. For forty years, Patricio Guzman has had to struggle every inch of the way, with a vivid memory and intimate suffering to reach this work of cosmic serenity, of luminous intelligence, with a sensitivity that could melt stone. At such a level, the film becomes more than a film. An insane accolade to mankind, a stellar song for the dead, a life lesson. Silence and respect.” —Jacques Mandelbaum, Le Monde
“Stunningly beautiful. I don’t know how you can put more into a film, or make one that’s more deeply moving.” —Stuart Klawans, The Nation
“An extraordinary film about the unknown and the unknowable.” —Sight & Sound Magazine
“An amazing film! Nostalgia for the Light gave me goosebumps so many times I lost count.” —Andy “Copernicus” Howell, Ain’t It Cool News
“Deeply Affecting!” Critics Pick —New York Magazine
“Such a moving masterpiece… NOSTALGIA FOR THE LIGHT is Guzmán’s leap into a different sort of cinema: a philosophical treatise that is as stunning to the eye as it is disturbing to the brain… I was enthralled. So was the audience around me.” —B. Ruby Rich, SF360
★★★★ “NOSTALGIA FOR THE LIGHT may just be the most profound movie I have ever seen.” —Peter Howell, Toronto Star
★★★★ “The ideas in NOSTALGIA FOR THE LIGHT are nearly as big as the Big Bang, but Guzmán’s wise and lovely film maintains a careful balance between matters both macro and micro.” —Jason Anderson, Eye Weekly
“The film is gorgeous, purposefully slow, almost a meditation. Guzmán tells us life in the Atacama Desert is an eternal book of memories. And he lingers on every page, capturing shots of constellations with the care of a master photographer. Imagine Ansel Adams, working in colour, let loose in the Milky Way.” —Stephen Cole, The Globe and Mail
★★★1/2 “Combining politics and science in a stirring visual essay… Highly Recommended” —Video Librarian
Winner, Award of Merit in Film, 2012 Latin American Studies Association (LASA) Official Selection, 2012 Western Psychological Association Film Festival Winner, Best Film, 2011 International Documentary Association (IDA) Winner Best Documentary, Prix ARTE, 2010 European Film Academy Awards Winner Best Documentary, 2010 Abu Dhabi Film Festival Official Selection, 2010 Cannes Film Festival Official Selection, 2010 Toronto International Film Festival Official Selection, 2011 San Francisco International Film Festival Official Selection, 2011 Miami International Film Festival Official Selection, 2010 Melbourne International Film Festival
“Based on who this person is I knew I would scrutinize this image far more than any other portrait that I had ever made. During this project “The Making of a Celebrity Portrait,” it redefined how I view celebrities. It made me question if celebrity culture influenced us so greatly that we want to be portrayed like them. In a world that revolves around social networking and selfies I started wondering what these images really say about us.”
“NOW IT’S YOUR TURN. I’m asking you to include a photograph of yourself for this project. The idea is to collect many images so we can create one picture of who we really are. On Instagram, #iamthecelebrity with a portrait of you. Follow @ian_ruhter and @Profotoglobal for project updates. All month long we’ll be cataloguing and commenting on these images. Once this is done we’ll create the final project—stay tuned for updates!”
Here is another perspective on depression, one that paints the human condition on a larger canvas. I found that a lot of this resonated with me. Perhaps it will with you too.
Originally posted on Voces del Tierra:
After hearing the sad news of Robin Williams and his suspected suicide, I am really tired of hearing some people refer to depression as a ‘disease’. It is not a disease, but more chemical and emotional imbalance of the brain, normally affected by long-term stress, deep trauma or grief, for some it is difficult to diagnose the root cause. Here is a good article written by Dr John Grohol on defining Depression for those of you that are insistent on calling it a ”disease”.
Furthermore, should it really be referred to as a ‘mental illness’ either? Through my research and personal experiences, depression is an understandable psychological reaction to the stress and violent deformities of the modern world.
I have tried a number of conventional and non-conventional methods to treat my own depression and I feel the most valuable activities are spending time in…
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This is a repost of Dr Catherine Svehla’s latest entry in her mythology blog that challenges us to embrace the whole experience of life.
Listen to her 30min presentation of the Blackfoot myth of the Buffalo Dance here
(h/t Carolyn Baker)
“The crucible of making human beings is death. Every culture that is worth a damn knows that.
It is not success. It’s not growth. It’s not happiness. It’s death. That’s the cradle of your love of life, the fact that it ends.”
“Grief is not a feeling. Grief is a skill. And the twin of grief as a skill of life is the skill of being able to praise or love life which means wherever you find one authentically done, the other is very close at hand – grief and the praise of life, side by side.”
(from the website) Griefwalker is a lyrical, poetic portrait of Stephen Jenkinson’s work with dying people. Filmed over a twelve year period, Griefwalker shows Jenkinson in teaching sessions with doctors and nurses, in counseling sessions with dying people and their families, and in meditative and often frank exchanges with the film’s director while paddling a birch bark canoe about the origins and consequences of his ideas for how we live and die.
A few of the themes appearing in the film: Where does our culture’s death phobia come from? Is there such a thing as good dying? How is it that grief could be a skill instead of an affliction? Who are the dead to us? How can seeing your life’s end be the beginning of your deep love of being alive?
Stephen Jenkinson has appeared at scores of screenings of Griefwalker across Canada and the U.S. The discussion periods which follow routinely go on for hours. It seems the film detonates a strong desire among people to talk about their experiences of death and grief, and especially to be heard by others.
Griefwalker is available for viewing on Netflix.